Gary Varner

Gary Varner is a Science Fiction and Fantasy enthusiast with a bachelor’s degree in Theater Arts, and he spends his time working and raising his daughter who he suspects will one day be president of the United States. For more reviews as well as serial novels, go to www.garypaulvarner.com to read more.

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AI: Artificial Intelligence Review Part 5

“Nobody knows what ‘real’ really means.”
Spielberg needs to depict David in this obsessive way because, otherwise, he might find himself having to justify why the father doesn’t try to save David or why Martin doesn’t grow attached to him over time.

AI: Artificial Intelligence Review Part 4

The real message of the movie is “nobody knows what ‘real’ really means.”
The forest scene itself is just shy of three minutes, and the actors both do a wonderful job selling the scene, but in the end, I couldn’t buy it.

AI: Artificial Intelligence Review Part 2

A couple has a son in a coma, and it seems unlikely that the child will wake up.
The idea of picking a robot child to replace a real son is very disturbing, but disturbing or not, the parents aren’t allowed to have another child to begin with.

AI: Artificial Intelligence Review Part 1

Both the film and the short story question the definition of “real,” not reality
When the scientist proposes creating a robot child who can love, the audience is bound to be asking the obvious question: Is that possible?

2010: The Year We Make Contact Review Part 5

The crew watches Jupiter grow smaller until it explodes, sending shockwaves through the ship.
As long as the aliens’ technology is advanced beyond humanity’s comprehension, then there’s no real way to pick apart how they turned the gas planet into a star.

2010: The Year We Make Contact Part 4

The decision is made to keep all the details from HAL.
If the robot figures out that he isn’t returning to Earth with the crew, he might object to the plan and decide to continue the mission himself, just like he’d done with Bowman’s crew.

2010: The Year We Make Contact Review Part 2

The plot is well structured, there are few, if any, plot holes.
Making a story easy to follow isn’t just a matter of artistic preference; it’s tied to the suspension of disbelief and an audience member’s investment.

Can AI Save Theaters?

A YouTuber’s micro‑budget thriller just went the distance against Disney’s latest heavyweight.
The A-list actor has become a thing of the past. Hollywood decided to focus on adapting franchises rather than promoting their actors, and because of this, most of the few A-list actors who remain have been grandfathered in. They are survivors of an old era.

2001: A Space Odyssey Review Part 8

Final thoughts on the movie
For one thing, I disagree with the philosophy behind it. I don’t think evolution is true, and I certainly don’t think that death is a necessary part of life.

2001: A Space Odyssey Review Part 6

Is Bowman a victor for reaching the stargate or has he been caught in a trap?
Clarke seems to be going for something more religious: technology gives mankind the means to become God, and our alien overlords will be there to help once mankind is worthy.

Space Odyssey 2001: Were Clarke and Kubrick at Odds?

Part 3: The ambiguity in 2001 is not the result of artistic muddiness but the middle ground for an unspoken conflict between the two writers
One thing is for certain. In the iconic Dawn of Man sequence, the Monolith is conveying information. The question is how.

Space Odyssey 2001: Decisions To Make About That Monolith

In Part 2 of my series on the sci-fi great, I want to consider where the Monolith fits in the hard vs. soft magic systems that make for sci-fi stories
Letting the question of who sent the monolith remain a mystery was probably a wise dramatic choice on the part of the writers.