Fine Tuning in a Nutshell: No Problem

Classic radio tuner panel close-up. Black background

On this episode of ID the Future, Andrew McDiarmid interviews Robert Alston, Ph.D electrical engineer working at Picatinny Arsenal and co-author of the new book Evolution and Intelligent Design in a Nutshell. The two discuss the origin of the Nutshell book and the origin and fine tuning of the universe. Though cosmic fine tuning is often referred to as “the fine tuning problem,” Alston says it’s really no problem at all — not unless you’re trying to shoehorn it into the box of philosophical materialism.



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Of Natural Selection, Explanatory Deficits, and Bunnies Dark and Light

Light and dark bunnies

On this episode of ID the Future we hear the first part of Discovery Institute Education Outreach Associate Daniel Reeves’ talk at the 2020 Dallas Science and Faith Conference. Reeves outlines the meaning of natural selection, and traces its history, starting from Darwin’s early understanding, in the days when cells were viewed as just blobs of protoplasm. Reeves carries the story from there through the neo-Darwinian modern synthesis and into the extended evolutionary synthesis, culminating in a 2016 meeting of the Royal Society on the theory’s continuing — and still unresolved — explanatory deficits.



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Stephen Meyer Introduces His New Course on Intelligent Design

On this episode of ID the Future, bestselling author and Center for Science and Culture director Stephen Meyer introduces an exciting and informative new Discovery U video course, “Stephen Meyer Investigates Scientific Evidence for Intelligent Design.” Here he sets the stage by recalling a few times when ID made national news headlines, sometimes with Meyer right in the middle of the controversy. He also addresses some of the questions generated by these dustups: Is ID faith-based or science-based? Did the earliest scientists follow ID principles or did they avoid them, as one state education commissioner claimed. And why did two highly regarded research scientists get expelled from their museum positions, and were the expulsions justified?



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